CUET Performing Arts Syllabus 2025 : अभ्यासक्रम

CUET Performing Arts Syllabus 2025, Check important Topics, Exam Patten Here


The National Testing Agency has released the detailed CUET UG Performing Arts Syllabus 2025 at its official website https://exams.nta.ac.in/CUET-UG/. Students can also check their complete CUET UG Performing Arts Syllabus 2025 here and start with their preparations.


CUET UG 2025 Performing Arts syllabus

CUET UG 2025 परफॉर्मिंग आर्ट्स अभ्यासक्रम मुख्यतः संगीत, नृत्य, नाट्य आणि थिएटर यांसारख्या प्रमुख क्षेत्रांचा समावेश करतो. हा अभ्यासक्रम विद्यार्थ्यांना विविध कला प्रकार, त्यांचा इतिहास आणि तंत्र समजून घेण्यास मदत करतो. यामध्ये सिद्धांत आणि प्रायोगिक दोन्ही भागांचा समावेश असून, त्यामुळे विद्यार्थ्यांना त्यांच्या सर्जनशील कौशल्यांचा शोध घेता येतो आणि त्यांची प्रदर्शन क्षमता सुधारता येते.

या अभ्यासक्रमाद्वारे विद्यार्थ्यांना सांस्कृतिक आणि कलात्मक अभिव्यक्तीची सखोल समज प्राप्त होते. तसेच, तो आत्मविश्वास आणि सादरीकरण कौशल्य वाढविण्यास मदत करतो. CUET UG 2025 परीक्षा 8 मे ते 1 जून 2025 या कालावधीत CBT मोडमध्ये होणार आहे. त्यामुळे विद्यार्थ्यांनी हा अभ्यासक्रम नीट समजून घेऊन त्यानुसार तयारी केल्यास चांगले गुण मिळू शकतील. तसेच, भविष्यात परफॉर्मिंग आर्ट्सच्या क्षेत्रात करिअरच्या संधी उपलब्ध होतील.


CUET UG Performing Arts Exam Pattern 2025

CUET UG परफॉर्मिंग आर्ट्स परीक्षेच्या तयारीस सुरूवात करण्यापूर्वी, विद्यार्थ्यांनी परीक्षेचा सविस्तर नमुना काळजीपूर्वक पाहावा, जेणेकरून नंतर कोणतीही गोंधळाची परिस्थिती निर्माण होणार नाही. ही परीक्षा मुख्यतः संगीत, नृत्य, नाट्य आणि संबंधित कला क्षेत्रातील ज्ञानाची चाचणी घेते.
परीक्षेच्या प्रश्नपत्रिकेत ठराविक गुणांकन पद्धती असते, जिथे योग्य उत्तरांसाठी गुण दिले जातात आणि चुकीच्या उत्तरांसाठी नकारात्मक गुणांकन (negative marking) असण्याची शक्यता असते. परीक्षेच्या स्वरूपाची पूर्ण माहिती घेतल्यास विद्यार्थ्यांना अधिक चांगली तयारी करता येईल आणि चांगले गुण मिळवण्याची संधी वाढेल.
विद्यार्थी खालील तक्त्यात CUET UG परफॉर्मिंग आर्ट्स परीक्षेतील विभाग, प्रश्नसंख्या आणि प्रश्नांचे प्रकार यांची तपशीलवार माहिती मिळवू शकतात.

SectionsNumber of QuestionsTypes of Questions
Section IA (Language)50 questions, out of which only 40 are to be answeredReading Comprehension based on different types of passages–Factual, Literary, and Narrative, (Literary Aptitude and Vocabulary)
Section IB

Section II (Domain Subject)35/40 Questions to be attempted out of 45/50

-Input text can be used for MCQ Based Questions

-MCQs based on the NCERT Class 12 syllabus only

Section III (General Test)60 questions, out of which only 50 are to be answered

-Input text can be used for MCQ Based Questions

-General Knowledge, Current Affairs, General Mental Ability, Numerical Ability, Quantitative Reasoning, Logical and Analytical Reasoning


CUET UG Performing Arts Detailed Syllabus 2025

The CUET UG Performing Arts syllabus covers topics like music, dance, and theatre. It includes theory, practical skills, and the history of performing arts. Students will learn about different art forms, their cultural importance, and performance techniques. The syllabus helps students develop creativity and a deeper understanding of the arts. To prepare well, students should focus on both theoretical and practical aspects. Students can check the detailed syllabus in the table below to understand all the important topics.


DivisionSub-DivisionsDetailed Syllabus
Section A

DANCEA1: KathakBrief history of other dance styles in India, Acquaintance of Gharana of Kathak dance, Rasa, Knowledge of the relevant terms, Technical terminology of the dance form.

A2: Bharatanatyam DanceHistory of the chief contributors of the past Dance form, Traditional costumes, make-up, and the Dance style opted.

A3: Kuchipudi DanceTraditional dance forms of the region, Chief exponents of the dance form, Formats used in Kuchipudi

A4: Odissi DanceThree styles of Chhau, Lives and contributions of the three Gurus, Natya Shastra, Abhinaya Darpana, and Abhinaya Chandrika, ABHINAYA, Rasa

A5: Manipuri DancePast and present exponents of the dance form, Contents of Abhinaya Darpana.

A6: Kathakali DanceLife history of masters of the dance form, Hastha Lakshana Deepika and Natyasasthra.



Section B

DRAMA-THEATREModern And Contemporary Indian TheaterModern and contemporary styles and works in Hindi/English

Modern And Western TheaterSurvey of major contemporary styles and works in English or English translation

Theatre Production – Management And PerformanceReadings on Theatre management and marketing

Survey Of Acting Theory And PracticeReading Stanislavsky, Strasberg, and Readings on play production

Theatre ProductionHistory of theatre architecture, and Readings on production design-colour theory.

Developing And Documenting The Research ProjectResearch projects in different aspects of theater.



Section C

MUSICC1: Hindustani MelodicBrief study of Gram, Murchhana, Varna, Alankar, Alap, Tana, Gamak, Meend, Kan, Khatka, Murki, krintan, Zamzama, Ghaseet, Sut, Classification of Ragas, Development of the Time Theory of Ragas, Detail study of Sangeet Ratnakar and Sangeet Parijat, and Life Sketch and Contribution of Abdul Halim Zafa, Inayat Khan, Mushtaq Ali Khan, Alauddin Khan

C1: Hindustani VocalDetailed study and life sketches of some of the masters of this field.

C2: Carnatic Music (Melodic Instrumental)Detailed study and life sketches of some of the masters of this field.

C2: Carnatic Music (Vocal)Contributions of Kshetrajna, Annamacharya, Gopalakrishna Bharati, Swati Tirunal, Maha Vaidyanatha Iyer, Patanam Subramanya Aiyar. Study of musical forms and Manodharma Sangita. Definition of Prabandham, Janaka-Janya ragas, Upanga, Bhashanga Varja, Vakra ragas, Gamakas, Arudi, Eduppu.

C3: Rabindra SangeetKnowledge of the Akar Matrik Notation System, and Life Sketch of Rabindranath Tagore, Girish Chandra Ghosh, Kaji Nazrul Islam and Atul Prasad Sen

C4: Percussion Instrumental (Mridangam)Granthas with reference to Tala and percussion in Sangita Ratnakara, Chaturdandi Prakashika and Ragavibhodha, Svaramela Kalanidhi.



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